事件的建構
2024
行為紀錄
數位影像 身體 水 衣物 文字
2024
行為紀錄
數位影像 身體 水 衣物 文字
行為過程
每天進行行走的活動。
我將於2024年04月15日到2024年04月28日這14天的過程中，只喝水不進食。
我將只穿同一套衣服，並且每天進行搓洗及晾乾的行為，並在進行衣物的搓洗及晾乾的時間裡，不做任何衣物的遮蔽。
每天進行行走的活動。
我將於2024年04月15日到2024年04月28日這14天的過程中，只喝水不進食。
我將只穿同一套衣服，並且每天進行搓洗及晾乾的行為，並在進行衣物的搓洗及晾乾的時間裡，不做任何衣物的遮蔽。
我想試圖從人對於自我，進行如同戲劇般被預設的事件編排，去闡述以個人作為事件本身，逃脫自我意識的狀態。而對於這樣的操作，是否能成為一種「自然性」的生命經驗。在這項作品中，我將成為一種將腦內所預設事件的象徵，去進行重複性實踐的動作，並將它成為日常。
而經由這種重複性的行為動作，使自身去發覺「自然性」的生命經驗所發生的不被預期性。這也是一種渴望背離生命所發生的既定事實，而做出的掙扎。並試圖使一件被預設的事件發生。彷彿，想要去掌控自身生命的面貌，再去背離生命的狀態。
透過這些被自身所預設的事件，作為某種立場的行動時,正是在試圖實驗「自然性」的生命經驗是否是一種可以被預設的立場？當生命事件發生了,那種躁動及不安又如何去追尋它的源頭?
被人所建構即安排，會是呈現於我腦海中「自然性」的生命經驗及事件,彼此相互交錯的事件,從被紀錄及成為影像,將個體作為人的身份抽離,並以事件作為人的主體。
最後，便是種把刻意安排的事件作為某種對於「自然性」生命經驗矛盾的呈現。
Construction of the Event
2024
Performance Record
Digital Image, Body, Water, Clothing, Text
Process of Action
Engage in walking activities daily.
I will only drink water and not eat any food during the 14-day period from April 15, 2024, to April 28, 2024.
I will wear only the same set of clothes, washing and drying them every day, and during the time spent scrubbing and drying the clothes, I will not use any garments for cover.
Engage in walking activities daily.
I will only drink water and not eat any food during the 14-day period from April 15, 2024, to April 28, 2024.
I will wear only the same set of clothes, washing and drying them every day, and during the time spent scrubbing and drying the clothes, I will not use any garments for cover.
I want to attempt to illustrate how individuals, through pre-arranged events akin to a theatrical script, can use themselves as the subject of these events to escape their own state of self-awareness. Can this mode of operation become a 'natural' life experience? In this work, I repeatedly enact symbols of events preconceived in the mind, making them part of the everyday.
Through these repetitive actions, one discovers the unexpected nature of 'natural' life experiences. This is also a desire to break away from the predetermined facts of life and the struggle that comes with it, And attempt to make a predetermined event occur. As if wanting to control the appearance of one's life, only to then diverge from the state of life itself.
When these self-predetermined events are taken as a certain stance, it becomes an attempt to experiment whether the 'natural' life experience can indeed be a predetermined stance. When a life event occurs, how do we trace the source of that agitation and unease?
Constructed and arranged by others, this represents the 'natural' life experiences and events that appear in my mind. Interwoven events, through the process of being recorded and becoming images, detach an individual from the identity of a human being and instead position 'the event' as the subject of the person.
Finally, it becomes a deliberate arrangement of events, serving as a presentation of the inherent contradiction within 'natural' life experiences.
