行為的假象及攝影與文字之間的預設
2025
短片
透明膠帶 剪刀 鏡子 計時器 身體
2025
短片
透明膠帶 剪刀 鏡子 計時器 身體
時間是抽象的，攝影是具象的，當影像記錄下人的行為與體態的變化，時間就成了具體的表象，除了計時器一分一秒地過去，身上的痕跡逐漸變深、顏色漸漸轉變，人的體態開始有了扭曲，情緒產生出起伏，是痛苦的，是無奈的，這就是時間帶來的質變。
因此在影像上選擇以大特寫來觀看人體最細緻的流動，再以中景去觀察體態的衰弱。
最終當人脫離了行為的束縛，就宛如空殼般的虛弱，隨著畫幅漸漸改變，才看見了旁人用攝影機紀錄下本次的行為，有些難受，有些諷刺。
Performance Illusion & the Preset Between Photo-Text
2025
Short Film
Scotch Tape, Scissors, Mirror, Timer, Body
Time is abstract, while photography is concrete. When images document changes in a person’s actions and posture, time takes on a tangible form. It’s not just the ticking of a timer that reminds us of its passage—marks on the body deepen, colors gradually shift, the body begins to contort, and emotions fluctuate in pain or resignation. All of these transformations embody the qualitative impact of time.
Therefore, in the footage, I first use extreme close-ups to capture the body’s most subtle movements, then switch to medium shots to observe its gradual weakening.
Finally, once freed from the constraints of the performance, a person appears frail, like an empty shell. As the frame gradually shifts, we see someone recording the performance with a camera, evoking both discomfort and a sense of irony.
協 同 創 作
Collaborative Creation
Collaborative Creation
行為藝術家 . 劇本 . 美術 - 朱鈴蓉
Performance Artist . Script . Art Director - Chu Ling-Jung
Performance Artist . Script . Art Director - Chu Ling-Jung
導演 . 製片 . 剪輯 . 攝影 . 作曲 - 湯子賢
Director . Producer . Editor . Cinematographer . Composer - Tang Zi-Xian
Director . Producer . Editor . Cinematographer . Composer - Tang Zi-Xian