在朱鈴蓉的藝術陳述中，她提到想將劇場的思維運用在行為藝術中。她使用戲劇概念中的章節來呈現作品，這是一種將自我生命中的預設事件「戲劇化」的方法。她以章節的分割方式，來編排每段行為藝術的呈現內容，並將這些內容串連起來，創造出一個具有「戲劇性」的行為作品。在此過程中，她通過身體的樣貌變化和行為形式的調整來堆疊劇情，並在行為的闡述上進行劇情的延伸。透過利用不同的物件和工具使身體產生各種變形，從而掌控一種女性身體本質上的生理現象以及反抗。
In Chu Ling-Jung's artistic statement, she mentions wanting to apply theatrical thinking to performance art. She uses chapters from dramatic concepts to present her work, a method of 'dramatizing' predetermined events in her life through performance. She arranges the content of each performance art piece by dividing it into chapters, linking these together to create a 'dramatic' performance work. In this process, she layers the narrative through changes in her physical appearance and adjustments in her performance form, extending the plot through the articulation of her actions. By utilizing various objects and tools to deform the body, this performance controls and resists the inherent physiological phenomena of the female body.
