《作者作為再經驗者》
裝置作為空間的載體能透過存在與觀者擁有經驗上的交錯，如同，裝置本身作為空間與觀者之間的載體卻忽略了觀者與作者經驗性的重疊，但若是將創作局部放大其感官闡述的方式，也就是將作者的自我經驗的過程直接呈現於現場的觀者，如同思想性的文字是重複作者經驗性的結構而得出「悟」。
倘若，觀者能從文字的載體中重新被體現作品的樣貌，是否就能使觀者與作者之間的共感性增加？因為，在創作的過程中所產生的思想是具有「個人性」的經驗，而作品將其展示後是由觀者的經驗去解讀作者的作品，但若在作品完成後再到現場以行為藝術的呈現作為重新闡述作品的方式，觀者與作者本身的經驗就能交疊於原有的作品上。
“ The Author as a Re-Experiencer”
An installation, as a carrier of space, can create an interwoven experience between its presence and the viewer. However, when the installation is regarded merely as a medium connecting space and the viewer, the overlapping experiences of the viewer and the artist can be overlooked. By magnifying certain elements of the work in a sensory manner—directly presenting the artist’s own experiential process to those on-site—this approach parallels the way reflective text reiterates the author’s experiential framework, ultimately guiding the viewer toward a moment of “enlightenment.”
If viewers are able to re-experience the essence of a work through a textual medium, could this enhance the sense of empathy between them and the artist? After all, the ideas generated during the creative process are inherently personal, and once a piece is presented, it is typically interpreted through the viewer’s own experiences. However, if the artist revisits the work on-site through performance art, the viewer’s and artist’s experiences can overlap within the original piece, thereby deepening their mutual resonance.